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Making Of 5th Avenue Tower

By Oxygen
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Date Added: 30th January 2018
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Architectural visualization studio Oxygen share their 3ds Max and V-Ray workflow behind their 5th Avenue Tower, a skyscraper against the Manhattan skyline...


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First of all, we'd like to thank 3dtotal for the opportunity to share some insights about our workflow with you. In this making of, we'll describe the process we followed to make this image. "5th Avenue Tower" unveils the ambition to create an elegant and timeless skyscraper in the Manhattan skyline designed to support luxury residences, a hotel, offices, and retail spaces integrated between large community terraces looking out over the city.

The singularity of this skyscraper derives from the identity of its shape, the clarity of its structure, and the depth of its urban perception: transparent, translucent, opaque, reflective and luminous. The highest challenge of this project (in development) is the experimental side of it, not only by the difficulty to create a skyscraper project from scratch, but also, be able to produce a set of visuals that look and feel consistent and accurate at the end.

Concept & references

The first step, when we began working on this project, was to collect reference material about how the building would look like, lighting, materials/finishes, fine details, and the atmosphere that could express the main concept that we were after. Here are some of the reference images we used for this work.

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Concept and references

Basic scene setup

We generally start by configuring the 3ds Max units setup to centimeters, enable the gamma to 2,2 and the linear multiply in the color mapping.

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Scene setup

Modeling

Before starting the modeling, we create the 2D drawings (floor plans and elevations) in AutoCAD, which allows us not only to establish the correct dimensions/proportions of the building, but also it helps us translate the architectural decisions we made along the development of the project.

Then we import the drawings into 3ds Max and we built the 3D model from scratch using just simple polygonal modeling with basic shapes and edit poly modifiers. During this phase, we also work on the camera setup and take the time to refine the 3D model, working on the base geometry, facade, interiors and other details, until it looks as accurate as possible. Once the building was finished, all the other composition elements were added in the scene for the specific camera angle.

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Modeling

Camera setup

We used a V-Ray Physical Camera and changed the default parameters such as the film gate, focal length, f-number, shutter speed and ISO.

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Camera setup

Environment

For the environment, we choose to use a stock photograph from 123RF as the background that could match the selected point of view, and made necessary color / contrast / composition adjustments in order to produce a realistic urban environment, highlight the design of the building, and enhance the general mood we were looking for.

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Environment setup

Lighting

In this exterior image, we wanted to create an elegant and strong dusk mood with a strong blue ambient light with a few pink tones and warm highlights coming from the interiors. For this, we used a blueish dusk HDRI (TW 06 from www.mediterraneanlight.net) inside a V-Ray Dome Light (default) and the selected backplate for the environment, the simplest and most effective way to get a photorealistic result. In the interior we added a simple V-Ray Light Plane and a V-Ray IES Light, both with 4000k of color temperature and 64 subdivisions for a smoother result.

Also, we applied a V-Ray override material (RGB values 128,128,128) to the overall scene and specify which objects should be excluded from the override material (normally glass) in order to achieve a well-balanced light scheme.

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Lighting setup

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Clay render

continued on next page >

 
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Readers Comments (Newest on Top)
avatar
Hadait Cab on Thu, 01 February 2018 8:00am
I have been amaze to see the beautyful work . I wish i can create one like you. Thanks from ClickArt BD
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