Keep up-to-date with Free tutorials!!


Sign up to our twice-monthly newsletter today for the latest tutorials, interviews and product information.

Sign me up to receive third-party emails from 3dtotal's partners, too!

- Latest news
- Exclusive Shop Offers
- Preview early content
- Plus much more


Not Ready to take that step? OK, Why not just Subscribe to the RSS Feed

submit tutorial
1 | 2 | 3
Making Of 'Cross Of Iron'

| Your Rating:
rating star fullrating star fullrating star fullrating star fullrating star none
(4 Votes)
| Comments 0
Date Added: 7th May 2010
Software used:


I am a big fan of military topics. Since I had already done a soldier, this time I wanted to try a World War II German general.


Because this character was based on the real world look-and-feel, I didn't draw any concepts for it. Therefore, I needed a ton of references instead. I found an old man reference from which I decided to use for my character; the reason was simply that it was a perfect reference to practice my ZBrush sculpting skills with and would also fit my character pretty well (Fig.01).

Fig. 01


I created a plane in ZBrush with the reference image as the texture. Then, I started to model the head from a sphere. It's much easier to get the right proportion if you have an image plane (Fig.02).

Fig. 02

After I'd roughly done the sculpting, I exported a high-poly OBJ file to Maya and started to do re-topology. This is a very important step if you want your model to be used for real production. Modeling is only the first step of the production process; there is a lot of work after that, such as unwrapping, rigging, animation, etc. If you can keep your wireframe clean and appropriate, it will make everyone's life much easier. I used a Maya plugin called "Nex", which is a very nice tool to do re-topology with; using this plugin will keep your polygons in quads and evenly-spaced easily (Fig.03).

Fig. 03

After completing the re-topology process, I exported another OBJ file and went back to ZBrush. With clean edge-loops, this time I was finally able to work on the details. There's one thing I'd like to point out at this point: each area of the face has a particular skin texture. It's important not to use the same texture everywhere because it will look unrealistic (Fig .04).

Fig. 04

continued on next page >

1 | 2 | 3
Related Tutorials

Making Of 'Madness'

by Marcin Solarz
published on 2009-12-09

Keywords: character, creature, man, madness, fear, scream, teeth, mouth,

rating star fullrating star fullrating star fullrating star fullrating star full (4)
Comments 0 Views 172162

Making of 'Kai'

by Yu Cheng Hong
published on 2009-10-27

Keywords: man, character, warrior, armor,

rating star fullrating star fullrating star fullrating star fullrating star half (4)
Comments 0 Views 20988

Making Of 'The Passage'

by Adam Guzowski
published on 2009-12-09

Keywords: scene, corridor, passage, robot, character,

rating star nonerating star nonerating star nonerating star nonerating star none (0)
Comments 0 Views 50808

Making Of 'Shark' - Animation

by Nikola Drincic
published on 2009-12-09

Keywords: character, shark, animation, max,

rating star fullrating star fullrating star fullrating star fullrating star half (5)
Comments 2 Views 60856
Readers Comments (Newest on Top)
no comments!
No comments yet. Be the first to comment!
Add Your Comment..