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Making of 'Forest Mage'

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Date Added: 24th August 2009
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Separating as many paint layers as possible according to the composition was necessary in order to keep control of future individual adjustments. I finished all the layering with a basic neutral lighting and turned off the line layer (Fig.11 & Fig.12).

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Fig. 11

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Fig. 12

I then began refining the folds on the dress, the lighting on the woman and tree, and added leaves on the ground (Fig.13).

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Fig. 13


At this point, it became important to readjust the general darkness and color saturation on all the layers, and I continued developing the details and light on the dress. I was starting to have a better idea of what the final image was going to look like, but there was still a long way and many adjustments to go (Fig.14).

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Fig. 14





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