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Making Of '3324 North Carolina'

By Jason Seiler
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Date Added: 14th November 2011
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Many artists can draw a decent likeness of a well known face, but to many it is hard to capture true character, or spirit. For me the most important thing is capturing this truth, or as I like to say the essence of a person or scene. I try to get a lifelike realism into my paintings, but not merely because of how I render, but by observing the unique qualities of the individual that I am illustrating.

I enjoy drawing my subjects in exaggerated form. The slightest push of an expression or posture in just the right place can tell the viewer quite a bit.

I am a traditional painter at heart, painting with oil, acrylic and watercolor. But I have also taught myself how to paint digitally, which is the medium that I prefer to use for my published work. I paint with a 21" Cintiq made by Wacom (Fig.01). The Cintiq enables the artist to work naturally and intuitively, drawing and painting directly on the surface of an LCD display (Fig.02). My technique when painting digitally is very similar to the way I paint with oils or acrylics. I tend to work from dark to light, with my main focus being on values and color harmony. I do not use any form of photo manipulation; the work that I create digitally is hand drawn and painted. Painting digitally has its advantages for both me and art directors. There is no fuss or time spent on scanning or color correcting. It is never a problem if changes need to be made and the time it takes me to create a painting digitally versus traditionally is cut in half. The best part about it is that the final result looks like a traditional painting.Often people confuse my traditional and digital paintings, not knowing which is which!

Fig. 01

Fig. 02

To start my diner painting "3324 North California", I created several thumbnail sketches (Fig.03 - 06). Doing thumbnails is a simple and quick way for me to find an interesting composition and explore character shape and proportion. My thumbnail sketches are like shorthand notes. Typically, I don't share my thumbnail process with art directors, unless they have requested it. They can be confusing to others, so after developing thumbnails, I quickly move on to the sketch.

Fig. 03

Fig. 04

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Readers Comments (Newest on Top)
(ID: 87989, pid: 0) Adeola Adebayo on Tue, 21 February 2012 7:03pm
Jason, this is really impressive. I love every part of your painting and the approach you applied. Hope to digitally paint more than you do one day. Regards
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