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Making Of 'The Turning Point'

By Justin Kellis
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Date Added: 9th December 2009
Software used:
Photoshop

Step 9: Continue Block-In

Here I've finished the figures in the background and before going in and working heavily on the face and torso I wanted to get the other background/foreground elements in the works. I add in a dark swatch of color for the splashed water and start putting in reflected shapes. I also throw color into the fish and add some cast warm lights to add contrast to the heavy darks/blues at the top.

757_tid_mermaid-step-09-color.jpg

Step 10: Detailing

Finally I get into put details into the face and torso. As this is the main focus of the painting I put a lot of time into this, often going back over an area 2 or 3 times to get it down right.

757_tid_mermaid-step-10-color.jpg

Step 11: Final

Once the face and torso are finished I go back and add in her hair. At this point I look over the entire picture for things that need tweaking. I beef up cast shadows, pay more attention to reflections and in general concentrate on making sure all the elements of the picture work well together... refining color, warming up or cooling down areas, etc. Getting too obsessed with detail at the expense of the rest of the painting is an easy trap to fall into. That's why the final step of the painting is so important. Don't be afraid to go back and take detail away from an area if need be.
Whew! That's it! Once everything is up to snuff, sign that sucker.

757_tid_mermaid-step-11-final.jpg

 
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Readers Comments (Newest on Top)
avatar
(ID: 189646, pid: 0) ThunderDome on Fri, 29 March 2013 7:32am
Mermaids aren't realism-fantasy just fantasy creatures... That's like saying dragons should have fur... Anyway, thanks for the handy tutorial Kellis.
avatar
(ID: 94339, pid: 0) Guest on Tue, 13 March 2012 4:36pm
Mermaids don't need nipples; it breaks the realism-fantasy feel of it. Since they don't produce milk (They're fish!) their breasts have no function.
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