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Making Of 'Dragon'

By Sandro Nunes
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Date Added: 9th December 2009
Software used:
Photoshop
335_tid_image10.jpg

Preparing


The finished size for of image was 3338 x 4450 pixels. I worked with only two simple brushes. For the first Brush I selected the 'Airbrush Soft Round', changed hardness of 0 to 100% and deactivated the Airbrush Button (Fig.01). The second Brush is only one Spatter (Fig.02).I used brush 1 mainly for sketch and general composition, the brush 2 I used more for the finishing and also to create a little of the texture in the image. I almost always use the value of the brush set to  50% opacity, but after an hour or so I usually modify this value. To speed up the workflow I type in the keyboard the value that I want for the opacity, for example: with brush tool selected type 10 in the keyboard that automatically the value of opacity of brush goes to 10%. This also serves for other tools as the Clone Stamp, Eraser, Gradient and others. It can also control the opacity layer in the same way. Here are some essential shortcuts which I use:

B = Brush
E = Erase
"[" and "]" (brush tool selected) = increases and decreases the size of brush
Ctrl + and Ctrl - = Zoom in and Zoom out
Space (hold) = Pan Control
N = New Layer
Ctrl E = Merge Layers

335_tid_fig01.jpg
Fig. 01
335_tid_fig02.jpg
Fig. 02

Sketch

I do not have a standard method of making my work, in this case for example, I preferred not to use line art. I realised the composition of this image purely by imagining and then painting. A positive point in this way of working is that it gives a better feel to the general composition, because the form has a good prominence in the scene. To create this sketch I used two layers, one for the background and another one for the dragon. I saved out some images with the steps for this making of (Fig.03). Now the sketch of the dragon is finished (Fig.04). The composition is an important step after the sketch, but it is in this next step that I really get to better define the composition of the image. This is for me one of the most important parts in this process.

335_tid_fig03.jpg
Fig. 03

335_tid_fig04.jpg
Fig. 04


Composition and Colour

First I create a new layer. Now, for the foreground, I always try to keep the shapes of the image in harmony with each other for a good composition. With the colours yellow and orange and in the Painting Mode 'Overlay' I placed colour in background, simulating the sun and also in the dragon layer to create highlights on the dragons wings from the sun. In this next sequence I tried to define the composition of the scene. you can clearly see the use of brush 2 (Spatter) and also the use of the Filter Colour and Hue & Saturation in the layers. I changed the settings until I obtained the desired result (Fig.05).

335_tid_fig05.jpg
Fig. 05



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