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Making of 'Spanish Girl'

By David Munoz Velazquez
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Date Added: 9th December 2009
Software used:
Photoshop
333_tid_final.jpg

Introduction

This image was created as a request by my Grandmother; she wanted something for her dining room wall. I had plenty of things to choose from, but I thought it would be nice to paint something that she could identify with. Instead of aiming to create a photo-realistic or a cartoon-like image, I made something in between, which I believe is a better style to have on a wall.

Concept

The first thing I did was to have a look for some fine-art references, to gain inspiration for this kind of painting. I did a few tests, specifically thinking about the face (Fig.01 - 04) and how I wanted it to be the focal point of the picture (Fig.05 - 06). After trying several times, I decided to give it a bit more of a uniform look, so that the picture was still powerful from a distance, as well as close-up. This was the most difficult decision for me. I'm so used to thinking about how a picture would look from a closer view, such a screen or small prints, whereas this artwork has been originally created for a DIN A3 print.

333_tid_01.jpg
Fig. 01
333_tid_02.jpg
Fig. 02
333_tid_03.jpg
Fig. 03

333_tid_04.jpg
Fig. 04

333_tid_05.jpg
Fig. 05
333_tid_06.jpg
Fig. 06

Colour

The very first idea was to create a completely monochromatic picture. My first attempt was black and white, but then I thought that an older-looking picture (Fig.07) would be nice. My Grandmother loves colour, so I converted to practice with colours to try and make it more interesting. This image had monochromatic lighting, which was a little flat, so that I didn't overload the picture. I still kept in the heavy shadows, but this was a personal choice for this particular piece of work. I wanted white clothes so that they contrasted well with the rest of the image. I chose a warm palette to work with because it simply looks more relaxing, and the references that I had used as inspiration didn't display any cooler colours at all in the clothing details. It is a very basic palette, and I didn't use any colour variation for the semi-darkness or the shadows.

333_tid_07.jpg
Fig. 07


Brushes

For this particular work I have basically used a standard soft brush (Fig.08), which is very good to work with to cover large areas and to blend colours to make them look soft, and also to keep the gradients very fluid. Another brush that I used a lot was the hard-edged brush (Fig.09). The hard-edged brush gives a lot of texture, and a natural look and feel to the painting. (Fig.08 and Fig.09 show the exact settings that I used for pretty much everything.)

333_tid_08.jpg
Fig. 08

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Readers Comments (Newest on Top)
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(ID: 254166, pid: 0) Imtiaz on Sat, 22 February 2014 4:42am
Dear sir, it is a great tutorial. I like that way you used brushes. but any improvement in the picture resolution.
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(ID: 216343, pid: 0) EalyMays on Sun, 01 September 2013 9:07am
I can't begin to tell you how much I'm enjoying both your watercolour and drawing courses. I tend to dip in and do a bit here and there in my spare time maybe not the best way a student should work but it seems to work for me. Thank you- Ealy Mays
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(ID: 96302, pid: 0) Iqbal on Tue, 20 March 2012 8:35am
very good information and very original visual concept. Please upload more such effects especially of scenery.
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