Keep up-to-date with Free tutorials!!


Sign up to our twice-monthly newsletter today for the latest tutorials, interviews and product information.

Sign me up to receive third-party emails from 3dtotal's partners, too!

- Latest news
- Exclusive Shop Offers
- Preview early content
- Plus much more


Not Ready to take that step? OK, Why not just Subscribe to the RSS Feed

submit tutorial
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

Painting Weights Process

Select all the joints you plan to weight to, then select the "sock puppet" mesh. Go to Skin > Smooth Skin > Option Box and use these settings (Fig.21).

Fig. 21 - Initial smooth skin settings

Calisthenics (Range of Motion) on the Rig

Having a set range of motion on a character will allow you to quickly scrub the timeline and see the effects of your weighting adjustments.

Fig. 22 - Range of motion movie

Switch to the FK controls if the character is already rigged or if not then key directly on the bind joints:

• Left fingers
• Left wrist, elbow, shoulder, clavicle, stretch long, common poses (arm in front)
• Head/neck, spine from top to bottom
• Left hip, knee, ankle, toe, stretch long, common poses (toe raised, seated position)

Viewport Setup

Hide non-skinning joints, rig elements (locators, IK Handles) and non-skinning meshes to make the viewport as clean as possible.

Next show joints and geo in the viewport (Show > None; Show > Joints; Show > Polygons etc). Then x-ray joints in the viewport (Shading > X-Ray Joints).

Set the joint color to red for easy viewing of joints, since purple on black can be difficult (mel script):

//Joint Color Red
displayColor -dormant "fkJoints" 13;

//To return to Default Joint Color
displayColor -dormant "fkJoints" 8;

Painting Weights - Process

Open the Paint Weight Brush and keep the options open (Skin > Edit Smooth Skin > Paint Skin Weights Tool > Option Box).

From here, you can either flood the mesh to the root and paint from scratch, or paint atop the default results. Since you'll be adjusting all the verts anyways, it's really about how much time you have at the moment. If time is short, you can paint atop the default values to hit the main areas to get the character to animation sooner, or you can flood to the root joint and go through each section with much more precision.

Set Paint Operation to Add, Opacity to .4 and Value to .25. Right-click on the left thumb tip joint, and select "Select Influence' in the Marking menu. Then paint the verts for that joint (Fig.23).

Fig. 23 - Weights before and after

< previous page next page >

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8
Related Tutorials


Gallery Image.

Keywords: vampire, character, creature,

Go to tutorial
rating star nonerating star nonerating star nonerating star nonerating star none (0)
Comments 0 Views 1988


Gallery Image.

Keywords: creature, character, jungle, matt dixon,

Go to galleries 1
rating star fullrating star fullrating star fullrating star nonerating star none
Comments 1 Views 4171


Gallery Image.

Keywords: Livio Rajh, character, zbrush, making of

Go to galleries 1
rating star fullrating star fullrating star fullrating star fullrating star none
Comments 0 Views 9731


Gallery Image.

Keywords: Dmitrij Leppée, Javier Bardem, character, making of

Go to galleries 1
rating star fullrating star fullrating star fullrating star fullrating star half
Comments 0 Views 6173
Readers Comments (Newest on Top)
(ID: 305403, pid: 0) Joshua R. Dodson on Sun, 26 October 2014 8:20pm
Thank you this has helped to improve my understanding of Weight painting. In my own personal work I have found that the combination of Basic skin cluster, maya muscle and corrective blend shapes yield highly satisfactory results. It's always a great idea to have a low poly version of your model for animation and simulation testing aside from the full resolution detail model.
Add Your Comment