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Making Of 'Will you be my Valentine?'

By Rohith Rao
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Date Added: 4th March 2013
Software used:
Photoshop, Maya, ZBrush
1678_tid_Fig9.jpg

Introduction

First of all I would like to thank 3DTotal for giving me the opportunity to write my first Making Of for this amazing site!

I'm Rohith Rao, an Indian who lives in Dubai, the UAE. I work as a 3D generalist at Real Image Productions, where I head the modeling and texturing department. I've always loved to work with Maya and ZBrush and have experimented with different methods to reach a good quality of renders. My aim is always to achieve artistic and photorealistic results.

I would like to thank my wife Chaitra Rohith for her love and support, and Aiham Ajib, CEO and Creative Director of Real Image for his support (www.realimage.tv).

Modeling

Living in the UAE, I am very fascinated with the traditional dress here and so I wanted to use the different types in an image. Before I started to model, I went through lots of reference images. It is very important to see the details of an object in the photo; that way you don't waste your time trying to understand it (Fig.01).

1678_tid_Fig1.jpg
Fig.01


My aim was to get good topology. I started with the angel fairy character and created one base mesh. Once I was satisfied I used the same mesh for all the characters as they would be having similar features. I took the base mesh into ZBrush to change the shapes by using the Move tool.

Rigging and Posing

To create the rig I used the Setup Machine plugin, which you can find here. Once I was happy with the rig I did the posing. I took photos of myself doing the poses, which is always a nice thing to do to make the posing simpler (Fig.02).

1678_tid_Fig2.jpg
Fig.02

Texturing

Textures and materials are very important when it comes to creating realism in work. Good textures and materials make the model more expressive, whereas bad ones destroy even the most gorgeous geometry. UV Unwrap is the base for any texturing. There are many plugins for UVs, like Roadkill, Pelt, Unwrella, etc., but I always manually unwrap my UVs in Maya as it gives you much more freedom while texturing.

To avoid seamless textures, I painted my textures for this project in ZBrush. Once I was happy with the base texture I did epidermal, subdermal, overall and diffuse in Photoshop (Fig.03). Photoshop is an indispensable tool for creating textures, both at the texturing stage and in post work.

1678_tid_Fig3.jpg
Fig.03



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Readers Comments (Newest on Top)
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(ID: 186347, pid: 0) Nitin Mahale on Tue, 12 March 2013 6:49pm
Yes, nice to see you have encouraged local culture into your work, love the characters and theme of the project, good work. BTW, I am also from Dubai...
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(ID: 184907, pid: 0) Shine on Tue, 05 March 2013 2:59pm
cool tut. Thanks for sharing....
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(ID: 184683, pid: 0) Hendrik on Mon, 04 March 2013 10:24am
Thanks for sharing!
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