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Interview with Jason Martin

By Jonas Pilo

Web: http://www.believerdeceiver.com (will open in new window)
Email: moc.liamg@264jason

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Date Added: 12th June 2012

Could you tell us a bit about your current workflow?

Sure. It's a little more chaotic than most others I would think. The reason being I tend to use XSI and Max in tandem with some ZBrush and Mudbox. I'm a huge fan of XSI's modeling tools; in my opinion no other package that I have tried has come close to the elegance of XSI's polygon tools. The Tweak tool, Proportional tool, and Move Proportional tool are so nice to manipulate polygons. It has a very organic feel to it. XSI also handles dense meshes very well so it can handle my ZBrush meshes with ease. Being that Blur uses two major packages, I get to utilize the best of both. I will poly model everything in XSI, then go to ZBrush or Mudbox, then out to Max to paint and texture. Blur uses XSI to animate, but everything is cached out and run through Max for rendering, so I have to texture in Max.

As you can see, I'm in and out of a bunch of software. It usually runs somewhat smoothly, but when you are in and out so much, sometimes meshes break and point counts change. It can be a pain but it's manageable. I actually really enjoy having the ability to tap into two major packages. Each package has strengths and weaknesses and it's nice to be able to utilize them both for certain things. For the majority of work, I'll poly model in XSI and texture in Max. I use ZBrush for 90% of my sculpting needs, but I'm trying to give Mudbox some love on the side because it's got some good stuff going on there as well.

In general that's my workflow. It's fairly straightforward. It can be wonky at times, but for the most part it works well for me. I do like to experiment with new things when I can. On DC Universe I had the opportunity to change it up a bit and utilize ZBrush much earlier in the modeling process. For Cyborg I actually took a base character into ZBrush and sculpted all his armor up from the base mesh, then retopologized it later in Max. This was a very handy approach to the character; to be able to concept sculpt out the pieces of armor was very fast and effective. I actually did a small walkthrough of that process over at ZBrush Central if anyone is interested.
Do you feel that something is missing in today's software or do you have something you wish could be improved to ease the pain in certain areas? (Generally speaking, not software-specific).

Well I find myself in multiple programs all the time and the interaction between them can be frustrating. The more you are in and out of programs, the higher the chance something is likely to break. Not to mention, it's a huge time waster to be exporting and importing files. I know ZBrush has made some steps in the right direction by integrating GoZ, but as always, it's pretty hard to get everything to play well together. I'm not saying everything should be in one package, but I would love it if everything would play nice together. Like I mentioned earlier, I currently use an XSI and Max hybrid workflow and it would be great if I could get them to interact without depending on importing and exporting OBJs. There is the FBX format, but again it doesn't always work out so well.

With that being said I really wish there was something better than the OBJ we can start using as the standard file format for meshes. It would be nice if they would hold more information besides just the mesh and UV coordinates. It would be great if they retained multiple UV sets across channels and better texture information (more than the .mtl). Better formats have come along but nothing ever caught on. The OBJ is really old now and if all the packages would adopt a better file format it would be a step in the right direction.

Where do you see yourself in the next ten years? Also how do you think technology will advance by then?

Wow tough question, hopefully still making great art! I try not to think too much about my career other than to always give 110% and try to challenge myself on a daily basis. As for technology, who

What is the most fun part of creating a character?

I honestly enjoy all aspects of character creation. It's especially rewarding closer to the end when you are seeing it all come together. I enjoy texturing as much as modeling so it's really awesome when you see the two merge together forming the final result!

What does it take to be a good character artist?

Dedication and a strong foundation! A good humble attitude can't hurt either. I'm not a fan of egos in the industry. It's always good to stay grounded and focus on your work.


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