Before
starting, some councils for skinner
quiet:)
The
zones of influences overflow of the
zone of effective influence of the
bone on the mesh, also the first thing
to do is put at zero the weights vertexes
apart from this zone.
Always
ask if such vertex is logically influenced
by the bone on which you regulate
the weights. If this vertex is influenced
only by a bone, put its weight at
1.0 and conversely put 0.0.
The
vertexes present on a fold generally
receive 0.5 because they are influenced
by exactly 2 bones.
The
colors of the weights are invaluable
to locate the badly regulated vertexes,
a point too different in color from
its neighbor is inevitably badly regulated.
Do
not regulate the weights starting
from only one position but with the
whole of the positrons which this
part of the skeleton can take.
Finally
skinning a character is a business
of patience and it is here that logic
in the adjustments makes shore all
that becomes easy and fast.
Select
each bone and adjust their zone of influence,
by convenience, enter of the whole values
and give the same values to the symmetrical
bones
Zones
of influences of the bones for clothing.
Viewing
frame 1, we can already see how clothing
reacts to the skinning.
We can now start to refine the weights
vertexes
Adjustments
finished with two positions, one to
50% and the other at 100% of inflection.
W e can see that the red zone representing
the points influenced at 100% by the
Femur bone is surrounded on both sides
of a color gradation going towards
blue or 0% of influence.
It
will be always be thus in the continuation
of the skinning for the bones between
two articulations.
Note
that the limit of influence coincides
well with the place on the level of
the hips.
The
influence on the posterior one covers
all the buttock.
P
our ankle, the lowest band of vertex
receives 100% of influence, the band
of the medium 50% and that the top 0%.
An academic case all things considered
for an articulation:)
For
the arm, before beginning the skinning,
make a rotation with the joint of the
shoulder to put the arm in the horizontal.
Certain points do not follow and are
out of the zone of influenced of the
bones.
Select
them and adjust the weights to make
them follow the corresponding bones.
Top
create two positions with frame 1 and
2 for example, start the adjustment
of the weights and finalize them.
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Adjust
the weights to have a harmonious folding.
We can check the skinning after smoothing
by activating Show End Result on the
level of Modifying Skin and by putting
the iteration of smoothing at 1 in
Meshsmooth.
It is ill advised to use skin smoothing
because the vertexes of the LPM do
not follow the inflections
Start
again for the other side with dimensions,
max proposing symmetry of skinning that
is a pity.
With
the tower of the spinal column, rotate
of the bone Vertebra 01.
And
adjusted weights.
The
influence of the bone Vertebra 01, on
the hips. Note the symmetry of the influences,
which makes it possible to check that
the skinning is correct.
Even
with the bone Vertebra 02. We can view
the armour of the bust for see whether
that sticks well.
