Texturing:

Using textures from the Total Textures collections, I combined the specular and bump maps – along with the cavity maps generated from ZBrush to create the underlining for my textures. Because my intention was to create a still image I painted my textures in Photoshop, based on my main camera render, and then projected it all back onto my model using the camera projection technique (Fig.07).

Fig.07

Rendering & Composition

After rendering all the separate passes (Fig.08 – 09), I took them into Photoshop and began to make adjustments to each layer until I was pleased with the overall ambience (Fig.10 – 11 – final image).

Fig.08

Fig.09

Fig.10

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Fig.11

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