Fig.14

Fig.15

Fig.16

Lighting:

The lighting that I created for this work consists in one HDR map for the environment, to control the “5 o’clock” mood, and one direct target to simulate a few sunlight rays entering the ambient setting. Together I set up the V-Ray GI engine. The light position can be seen in Fig17, the light setup Fig18, V-Ray lighting + GI pass in Fig19, and the GI pass in Fig20.

Fig.17

Fig.18

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Fig.19

Fig.20

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